"A good painting is the result of good planning,”
—Daniel K. Tennant
Like many artists, Daniel K. Tennant believes when you approach a new piece, “it is good thinking to sketch the idea on a piece of paper the same size as the surface you'll be painting on.” When you do this you leave nothing to chance, which can ensure better results when you have finished. Daniel references the great American illustrator, Norman Rockwell , whom he says mapped out every square-inch of his compositions before he applied any paint. “I agree with him that a painting is difficult enough without having to compound the process by making design decisions while painting.”
Dan is also quick to point out that you should not limit yourself by this process. “It’s not a straight jacket! Some of the greatest paintings ever created have been changed during the painting process—as x-rays have shown—but usually the adjustments were simply a bit of fine-tuning here and there.” Finally, Dan suggests drawing or sketching the entire painting might make the process more enjoyable.
While there are no specific rules for how you must approach your work, remember to try and finish each piece. You can always go back, make a few tweaks here and there, or start over from the beginning. Remember to have fun, be creative, and never stop believing in your talent!
Below is a sampling of Daniel's recent work:
"Early Morning Mist"
Gouache on museum board
11"x14", 2011
"A Syracuse University Still Life"
Gouache on museum board
36"x37", 2011

"Still Life With Large Lobster"*
Gouache on museum board
26"x34", 2006
*This painting was voted the "Most Popular" painting at the 2010 National Exhibition of American Watercolors in Old Forge New York.
"The Artist's Magazine" has called this show one of the top ten juried watercolor shows in the country. In the four times Daniel has entered the show, his paintings have won the most popular vote every time!






