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     Museums and Events 

    Exhibition at The Huntington

    November 2, 2009
    By Rebecca Razo
    Categories: General, Museums and Events
    The Color Explosion: Nineteenth Century American Lithography from the Jay T. Last Collection

    through February 22, 2010
    The Huntington, San Marino, California
    in the MaryLou and George Boone Gallery


    When a young German playwright named Alois Senefelder developed a new printmaking process in the 1790s, little did he know that his discovery would start a communication revolution. Lithography, or flat-surface printing, transformed the exchange of information and the behavior of everyday life for the next century and beyond. This technique brought art, literature, music, and science to the masses; gave rise to product advertising and consumer culture; educated a growing middle class; and turned commercial printing from a craft into an industry. Lithography also colorized a predominantly black-and-white print world.

     The Color Explosion presents more than 200 examples of 19th-century American lithography from The Huntington’s Jay T. Last Collection of Lithographic and Social History. Advertising posters, art prints, calendars, certificates, children’s books, color-plate illustrations, historical views, product labels, sales catalogs, sheet music, toys & games, and trade cards are just some of the artifacts that will be included in this comprehensive exhibition.For more information about this exhibition, click here.

    Plans for Miami Sculpture Park Underway

    October 20, 2009
    By Rebecca Razo
    Categories: General, Museums and Events
    Altos del Mar Sculpture Park (ADMSP), a non-profit group in Miami, Florida, founded by sculpture-park expert Gerrit Schulz-Bennewitz and art collector Peter Saile, recently announced that it has reached an agreement with the City of Miami to move forward with plans to build a public sculpture park at the Altos del Mar park site in Miami Beach.

    According to the organization’s website, the park will feature “sculptures from internationally famous sculptors from the 19th, 20th and 21st centuries that will be exhibited 365 days [a year] at no cost to the public in three naturally divided sculpture ‘rooms.’” The exhibits in the planned rooms, or sections, of the park include “Dunefield,” which will feature contemporary sculpture at the sand dunes against a beach backdrop; the “Maritime Garden,” which will include figurative sculptures and a Butterfly Vivarium; and the “Tree Allées” exhibit, which will feature abstract sculpture. Once complete, the park will serve as a picturesque location for a variety of community and private events.

    ADMSP is also planning a series of dinner-party fundraising events toward the end of the year, as well as grand opening fundraising gala.

    For more information, please visit www.altosdelmarsculpturepark.com.

    Event: ?Digging for Fire? at the Hibbleton Gallery

    September 3, 2009
    By Rebecca Razo
    Categories: Museums and Events
    Hibbleton Gallery
    112 W. Wilshire Avenue
    Fullerton, CA 92832
    (714) 441-2857

    www.hibbleton.com

    Hibbleton Gallery announces “Digging For Fire,” a gallery exhibition September 4-27, 2009. The event will feature works by William Zdan and Chris Peters with the opening reception to be held on Friday, September 4, from 7:00 pm to 11:00 pm at the gallery. The opening reception and show are free to the public. And admission to the gallery is always free.

    “Digging For Fire” has been interpreted to mean “looking for trouble … or inspiration.” As applied to the work of the exhibiting artists, the term takes on suitably provocative definitions. The show will feature the two “outsider” artists who both borrow from the Lowbrow movement, but whose works arrive from either classical styles or classical references.

    Chris Peters, a widely exhibited pop-surrealist, breathes low-brow life into traditional Vanitas paintings. His works feature symbolic still-life arrangements that include skulls and full skeletons, and he positions them in lively images that speak to the precarious nature of life and death.

    William Zdan, an emerging Orange County artist, will exhibit a series of work that feature signature oil pumps, religious imagery, and modern culture. Part protest, part dream-state, his paintings are a visceral view into an apocalypse that is not without tongue-in-cheek humor. Whether through subtle introspection regarding the dynamics of death or through the literal plundering of earth by oil pumps, both artists present a vision that is in keeping with the concept of Digging For Fire.

    Event: Pen & Parchment in the Middle Ages

    July 21, 2009
    Categories: Museums and Events
    The Metropolitan Museum of Art

    “Pen & Parchment in the Middle Ages,”
    through August 23, 2009.

    Visit www.metmuseum.org.

    You Think You Know a Painting?.

    June 16, 2009
    By Stephanie Fitzgerald, Sales & Marketing Coordinator
    Categories: Museums and Events, Perspectives on Art
    So apparently the Mona Lisa originally had eyebrows. Eyelashes too. What are my sources for this outrageous assertion? Well, during a recent trip up to Portland, Oregon, I paid a visit to the OMSI (Oregon Museum of Science and Industry) for the sole reason of visiting the special traveling da Vinci exhibit entitled, “Da Vinci the Genius.” After working my way through the codices, various built-to-scale inventions, and anatomical sketches, I entered the portion of the exhibit featuring the “Secrets of Mona Lisa.” And that’s where I stumbled upon this shocking business about her eyebrows. A single informational placard seemed to jostle the fragile core of my very limited knowledge of art history.

    While this may already be common knowledge to some of you, it was a rather startling (and more than a little unwelcome) discovery for me. I imagine the realization I experienced was somewhat akin (though to a much lesser degree, I will admit) to how connoisseurs of the Sistine Chapel must have felt after the restoration of Michelangelo’s ceiling was completed in the mid-1990s, revealing colors much more vibrant than many anticipated. It is unsettling, this feeling—to think that an ancient master’s original work might have been significantly different from what we’ve always accepted and believed it to be. Now granted whether Mona Lisa had eyebrows or eyelashes can’t really be considered a terribly drastic visual difference, but as it concerns my personal perception of the painting, they may as well have told me she was blonde.

    I first saw the Mona Lisa on a day trip to the Louvre in 2005 when I was studying abroad in France. At that time, I already had a crisp mental picture to work with, as would most people. (After all, I would imagine the painting is one of the most recognizable in existence.) I knew exactly what to expect, even that the painting would be smaller than I was expecting. And as I stood in front of the piece, for probably no more than three to five minutes of my seven-hour Louvre adventure, I couldn’t stop looking at her eyes. I’m slightly embarrassed to admit it, but the lasting impression the painting left on me was something along the lines of, “Why would you ever paint someone without eyebrows?”

    And now, thanks to the results of an extensive photographic study by a man named Pascal Cotte, I know that da Vinci probably would have asked the very same question of someone else’s Mona, had there been one during his lifetime. Cotte’s study, the exhibit will lead you to believe, has irrefutably confirmed the past existence of both eyebrows and eyelashes on da Vinci’s materpiece. So there you have it. Eyebrows. Eyelashes. There’s no telling what might come next....

    To learn more about "Da Vinci the Genius," visit http://www.davincithegenius.com.

    Walter Foster titles that feature da Vinci:
    Learn to Draw Like the Masters: Dragons
    The Daily Book of Art

    Annenberg Space for Photography

    June 1, 2009
    Categories: Museums and Events
    Annenberg Space for Photography
    Century City, California


    I recently went to Century City to visit the opening of Annenberg Space for Photography. The opening exhibition, “L8S ANG3LES” (through June 28, 2009), included an interesting and eclectic group of photos taken by some talented and well-known Los Angeles photographers.

    Although the gallery is relatively small, there were many different examples of photography compacted within the space. As you walk in, there are touch screen computers (Microsoft Touch) that have digital photo albums. They are very fun to play with! There are also books filled with fine-art photography and a short video that explains in detail each artist’s background and motivation for his or her work. I think the video was very well made, interesting, and entertaining.

    The works focused on famous faces, environments, historical events, and Los Angeles daily life. The variety of styles, techniques, and subject matter offers an interesting mix to the exhibition so it does not become monotonous. I thought that the skills, talent, styles and creative vision of the featured photographers were very impressive.

    My favorite photographer was Julius Shulman. Many of his photos feature ’50s modern architecture in Palm Springs, but it is the lighting and composition that make the images fascinating. Backyard pools with boulder-strewn desert landscapes in the background become otherworldly oases in Shulman’s hands.

    On the other end of the spectrum, I was jolted by the raw emotion captured in photos taken during the 1992 LA riots. One photo shows a man running past buildings that are engulfed in flames. He is pushing a shopping cart filled with what appear to be looted diapers. The harsh aspects of LA inner-city life are illustrated completely in this photo.

    By comparison, Carolyn Cole’s photos of events around the world remind us that life in LA is not so bad. We feel like voyeurs when viewing her profound and thought-evoking pictures.

    Overall, I highly recommend visiting the space. A visit will not take more than two hours, so you will have time to get lunch in the area. You could also visit the nearby Los Angeles County Museum of Art (LACMA) and have a culturally enriched day.

    For more information and to see the photographers’ work, visit www.annenbergspaceforphotography.org

    Events

    June 1, 2009
    By Rebecca Razo
    Categories: Museums and Events
    Events

    Museum of Fine Arts, Boston, Massachusetts: “Titian, Tinoretto, and Veronese: Rivals in Renaissance Venice,” through July 19, 2009. www.mfa.org or (617) 267-9300.

    Seattle Art Museum, Seattle, Washington: “Target Practice: Painting Under Attack 1949-78,” June 25-September 7, 2009. www.seattleartmuseum.org or (206) 654-3100.

    The Huntington Library, Art Collections, and Botanical Gardens: redesigned and expanded Virginia Steele Scott Galleries of American Art, open now.  http://huntington.org or (626) 405-2100.

    Los Angeles County Museum of Art: “Pompeii and the Roman Villa: Art and Culture Around the Bay of Naples,” through October 4, 2009. www.lacma.org or (323) 857-6000.

    Want your event featured on the Walter Foster events Blog? Please email Rebecca Razo at rebecca@walterfoster.com and write “Events” in the subject line.  

    A Funny Thing Happened on the Way to the Getty

    May 6, 2009
    By By Rebecca J. Razo, Managing Editor, Walter Foster, Publishing Division
    Categories: General, Museums and Events


    The day started out ordinary enough. It was Valentine’s Day, and though my husband and I traditionally shun the commercialized “holiday,” we threw caution to the wind and ventured north to the J. Paul Getty Museum, also known as the Getty Center, one of Southern California’s most exquisite and intriguing art museums. 

    Van Gogh, Starry Night

    Get lost in the wondrous, transformative nature of a masterful piece of art, such as van Gogh’s The Starry Night, 1889. Image courtesy of Dover.


    We parked the car and boarded the tram for the 5-minute ride up the hilltop where—some 880 feet above sea level—the museum overlooks Los Angeles from the basin to the sea. As we ascended, my excitement grew in anticipation of seeing the featured exhibit, Captured Emotions: Baroque Painting in Bologna, 1575-1725. And, still awash in exuberance from having just finished writing a series of artist biographies for Walter Foster’s forthcoming Daily Book of Art: 365 readings that teach, inspire, and entertain (October 2009), I was eager to revisit the art of the masters, many of whom I had been researching for months.   

    My husband and I were chatting quietly, and I was lamenting the fact that our busy schedules usually prevent us from taking cultural excursions. Then I started talking about art—and that’s about the time I completely lost my head.  

    I don’t know if it was the change in elevation or if I’d had one too many mimosas at brunch. But by the time we’d reached the summit and exited the tramcar, I’d completely transformed from my relatively normal and generally tolerable self into some sort of pseudo art expert/sciolistic monster.   

    You know the type: It’s the guy who thinks he’s an authority after taking a beginning art-history class or the gal who wants to dazzle her friends with what she thinks is a deep philosophical understanding of art. It’s typically the loudest voice echoing through the exhibit hall. And its very intonation, often veiled in a fine mist of pretension, usually sends people scurrying into adjoining rooms to get away.

    And, if you were at the Getty Center on February 14, 2009, at about 1:00 pm, chances are that the jarring voice you heard—the one at which you rolled your eyes—was mine.  

    I prattled on incessantly as I led my husband from room to room like a museum docent. I brandished my knowledge like a rifle, assaulting him with trivia and minutiae I’d gathered from months of research for the book, yet offering far less information than the gallery cards hanging beside each piece.
     
    Soon, my sentences, coherent and sensible just a few hours earlier, had given way to little more than annoying strings of pleonasms: “Just look at the colorful vibrancy of this painting!” I said of van Gogh’s Irises. “Aren’t these luxurious furnishings simply opulent?” I commented while walking through the decorative arts exhibitions.
     
    As we walked from room to room and I continued to rattle off factoid after factoid, I became painfully self-aware that people were moving away—far away—from us. I could have been wearing a skunk stole for how quickly the room was clearing. And there, while standing in front of Monet’s Impression, Sunset, it struck me: I was that annoying voice echoing through the exhibit hall. 

    I glanced at my husband. Always quiet and generally acquiescent to my whimsical ways, he looked at me and smiled. His face said it all. He’d been patiently waiting for me to exhaust myself, but he was kind enough to let my overzealousness get a workout first. Then he took my hand and led me outside to the terrace.  

    As we watched the sun descend into the Pacific, I regained my senses.

    “Was I obnoxious?” I asked him.  

    “Not too bad,” he said.

    I cringed.

    I wasn’t trying to put on airs or pretend to be something I’m not. But like a child visiting Disneyland for the first time, I was just so darn excited! There’s something magical and transformative about being in the presence of great art—the history, the intrigue, the passion, and countless other indescribable aspects. I was enraptured and therefore compelled to share my enthusiasm.

    Whether you are a full-time artist or simply enjoy art as a hobby, at Walter Foster Publishing, our job is to excite, inspire, and motivate you to explore the beauty of art in all of its wonderful, spellbinding ways.

    That’s why we’ve created the new Walter Foster Blog.

    Thought-provoking discussions, art trends, interviews with up-and-coming artists, reviews of new products, tricks of the trade, fun facts—you’ll find all of this and more right here at http://www.walterfoster.com/catalog/blog.php .

    Are you an experienced or aspiring artist? Do you have insider information about a hot new art trend? Are you a museum curator? Care to share how your love of Walter Foster books and kits changed your life? Did you have an out-of-body museum experience like me? We want to hear from you! If you are interested in contributing to Walter Foster’s Blog, send an email to the address below and write “Blog” in the subject line.  

    May your voice soon be the loudest in the museum exhibit hall, as you revel in your excitement for the remarkable and mind-blowing power of art. I promise, I won’t roll my eyes.

    For information about contributing to the Walter Foster Blog, email Rebecca Razo at rebecca@walterfoster.com.

    The J. Paul Getty Museum is located at 1200 Getty Center Drive, Los Angeles, CA., 90049. (310) 440-7300 or visit www.getty.edu.